Eyes Blind Open

created by sandra groeneveld

Object:  Eyes Blind Open   

 

Materials: Stone, Stained Glass and Italian Smalti on Cement Board


Dimensions:  24" x 19"


Method: Direct with mortar

 

 

“We are the most dangerous species of life on the planet, and every other species, even the Earth itself, has cause to fear our power to exterminate. But we are also the only species which, when it chooses to do so, will go to great effort to save what it might destroy.”

             – Wallace Stegner (American novelist)


The Bald Eagle's recovery is an American success story. Some 50 years ago, the Bald Eagle, our national symbol, was in danger of extinction throughout most of its range. Hunting, habitat destruction and degradation, and the contamination of its food source by pesticides, decimated the eagle population. The Bald Eagle Protection Act, habitat protection afforded by the Endangered Species Act, and multiple conservation actions taken by the American public helped the nation’s symbol make a remarkable recovery — and other formerly imperiled species have recorded similar gains.


Thanks to the administration of the 45th president, reframed as “restrictive regulations”, decades of protections were unwound with extraordinary speed. From 2017-2020, in a mere three and a half years, nearly 70 environmental rules and regulations were officially reversed, revoked or otherwise rolled back.


I struggled to only highlight these 4 examples. Others are available further below to more fully understand what all has been done in our name.



In 2020, this systematic, destructive assault was finally thwarted.


In 2024, Americans will again have the opportunity, with eyes wide open (or open but willingly blind), to say if we want a renewed onslaught, more of this destruction by a thousand cuts, all pursued because hard-fought for protections just get in the way.


“Let us not have those of the future decry our smallness of concept and lack of foresight.”

          - Adolph Murie (Naturalist known as “Denali’s Wilderness Conscience”)


Selected for the "Mosaic Arts International Virtual Exhibition 2021"
SAMA's Annual International Juried Exhibition
As a result of COVID-19 pandemic. SAMA cancelled the 2020 exhibition and presented the 2021 exhibition as a virtual experience.

On display in 2024: 

Close-ups & Process

01 The original drawing done in Adobe Sketch on an iPad.

02 Mixing paints so to speak: I pull out different materials and juxtapose them to see which work well together as well as accomplish the look I have in mind for the translation of the drawing into a mosaic.

03 At this stage, everything is possible. The texture and size of what I can get out of the materials gives me a road map on how to proceed.

04 The whole design has four parts: the sculptural shape of the beak, the looser treatment for short and long feathers, the background and the destructive glass cutting through it all. These contrasts of the materials represented keeps things interesting.

05 Two elements set up: beak & feathers. On to the interpretation of the cuts.

06 Putting the red glass strips flat and on-end gives a good translation of the thick & thin of the drawing.

07 Detail.

08 What a task, arranging the solid pieces to mimic the density in the original drawing. Placing tesserae deliberately while making it look random is the constant challenge.

09 Mortared down the red glass. Thickening the profile & filling in the pupil reminds me where the weight is in the drawing. The addition of this places all of the elements on the board (minus the black background). I added some Italian Smalti within the red glass for more variation.

10 Filling in the feathers, adding pink to indicate wounds. When first drawing out my ideas, I could not stomach drawing an injured Bald Eagle. Suggesting this with the bloodied feathers is as much as I could muster. Leaving him whole and stoic implies hope & determination.

11 Reference all around in very important. I need to be reminded of the colors, reminded of the pattern & direction of feathers and reminded of the direction & thickness of the red cuts. It is always too easy to get into the zone and just make the tiles flow without purpose.

12 Feathers complete. Filling in the rest of the background cuts.

13 Filling in the background, keeping the gold & silver pleas lined up with the cuts.

14 Detail.

15 My first attempt for the eye. It was not focused enough, thus some more research with eagle eye close-ups was in order.

16 Revisiting eagle eye photos reminded me that the iris lays on a flat plane. Changing how it was oriented made for better focus, a direction looking forward.

17 Completion of the eye.

18 Finis. Drying outside in the fresh air after a sudsy scrubbing.

Here are a few more of the 70 already completed reversals (2017-2020):